Heather Faison

Rapper Bow Wow visits The Philadelphia Tribune

The Philadelphia Tribune

Published: Friday, March 27, 2009

Bow Wow just can’t seem to shake his teenybopper image. Even after dropping the ubiquitous “lil’” from his name and scalping his cornrows, his fan base is still largely the “106 & Park” crowd that first saw him as a hazel-eyed kid Crip-walking in oversized jeans.

On the diminutive rapper’s upcoming release “New Jack City Part 2,” he aims to change this perception with a glaring parental advisory sticker — a first on any Bow Wow album. Now guest stars like T.I., Nelly and T-Pain can spew profanities without caution.

“A lot of times when I get these guys to get on the album, I always gotta censor out stuff. I feel like I’m cheating my fans because my fans are T.I. fans and Lil’ Wayne fans,” says Bow Wow, who celebrated his 22nd birthday this month. “This album, I wanted to take a leap and let them come on and approach my album in the same way they would approach their own.”

Slumped down in the chair with a black windbreaker pulled over his red New Era cap, Bow Wow took a quick break Monday on the promo tour for his seventh release, before heading to Haverford High School to greet a mob of screaming students.

For these listeners, the rapper will release two edited versions of “New Jack” next Tuesday, with bonus tracks.

“When I go to the studio, I don’t feel like, ‘Oh, I have to make this record for the kids’ or ‘I have to make this one for the adults.’ I go to the studio and just do what comes naturally.”

Bow Wow’s boisterous raps usually revolve around big money (“under 21 with a black card”), big cars (“something like a NASCAR”) and “Big Girls.”

“New Jack” is much of the same, except more curse words and sexual references (“Pole In My Basement”). In “Been Doin’ This,” Bow Wow is angling more aggressively for respect from his peers and critics.

“If you wanna claim to be the king of the teen era or whatever it is, you gotta put in more work. Until you’ve done that then you’re not considered that thing. I don’t care if you dropped one album and you make the kids go crazy,” says the rapper, who was discovered by Snoop Dogg at age 5.

“You gotta do eight arena tours, sell out the Garden (Madison Square Garden) seven times,” he challenged. Bow Wow headlined the wildly successful “Scream” tours, with singers Chris Brown and Omarion.

Mentor and So So Def CEO Jermaine Dupri re-connects with his protégé as executive producer. The two have knocked heads over creative differences on previous projects. Dupri opted out of Bow Wow’s “Face-Off” collaboration with Omarion, which received limp radio-play.

“He knows me. He knows my work. He knows the type of records that are right for me, the type of records that’s wrong for me. He’s the only person who can give me that formula,” says Bow Wow, who shared his admiration for Dupri on “Rock The Mic.”

Recent moves in his career have signaled a shift in ambition from the rap stage to Hollywood. In his role on the HBO series “Entourage,” Bow Wow, born Shad Moss, plays a hot-tempered, up-and-coming comedian. The “Roll Bounce” star told fans on his YouTube channel that “New Jack” might be his last album.

“I only have one more album contractually with Columbia Records — no telling what I’ll do with that. At this time, I feel like with 17 years of nonstop music … I gotta show Hollywood and dedicate my time to them just as much as I did with the music game.”

When the conversation turned to his role in the upcoming film “Hurricane Season,” Bow Wow straightened his posture and flashed his hallmark smile. The budding actor joins Academy Award winner Forest Whitaker, Academy Award nominee Taraji P. Henson and Isaiah Washington in the movie based on the true story of a Louisiana coach (Whitaker) who leads his team to a state championship a year after Hurricane Katrina left the state in ruins.

“I play a character named Gary. And basically, I’m the point guard and I’m like the rock and soul of the team. I’m the more serious guy on the team, believe it or not, keeping everybody together.”

The film, slated for release this summer, captures the tension between the students displaced by Katrina. “A lot of the kids went down to Atlanta and Houston; a lot of them didn’t get along and we actually relived those situations in the movie,” including a fight scene where Bow Wow’s character gets his nose broken after a run-in with some kids from Houston.

After working with Whitaker, Bow Wow says his eyes are set on an Oscar. He may sound more like a young Denzel than the next Jay-Z, but his competitive attitude is strictly hip-hop. “First day on the set, you met each other — hello, how you doing? — But after that, I’m tryna outshine everybody on camera.”

Bow Wow Philadelphia Tribune screenshot

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jaz1

The living room-sized Old City club was packed like a Baptist revival. Music lovers waited all week for the jam session where anything that could happen did and the singer that you thought would never show up was already there.

A five dollar bill and an extra dose of patience for the line that snaked around the building was all patrons needed before stepping foot in The Five Spot on Black Lilly night.

Regulars, like Fatin Dantzler and Aja Graydon of Kindred the Family Soul, mingled as the drummer counted down.

Jazmine Sullivan stepped onto the hardwood – no stage – and grabbed the mic that India.Aire melted, Floetry bent and Jill Scott smashed.

The opening keys of Ella Fitzgerald’s “Round Midnight” ushered the newbie into the stormy jazz ballad.

“Do you know the lyrics to that song,” Aja squealed. “You’re looking at a 14-year-old girl sing that song and you could close your eyes and you would not remotely even be in the same world believing that a child was singing that song,” Aja says, recalling the first time she heard Jazmine sing. “I just loved her from the beginning because I just sort of saw myself in her.”

Much has changed since that night in 2000. The Five Spot went up in flames – literally – Black Lilly has morphed into a film festival – for survival – and Jazmine, the youngest performer in Black Lilly history, is now 21 and the crème of the industry’s batch of new artists. Read the rest of this entry »

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maxwell

After 30 near-flawless shows, he seemed unstoppable — until Friday night. When neo soul’s superman took flight without his beautiful falsetto that straddles innocence and seduction, the night was a tease at best.

For followers who have deified Maxwell since the early-90s, the lover-man guise was removed and the penitent singer felt the weight of embarrassment in every cracked note.

“I can’t believe you are being so nice to me,” he said, sipping his “chicken soup in a cup.” “You deserve better.”

For months Maxwell has soaked up praises at the end of each prodigious show on his out-of-nowhere comeback tour. Critics raved at how the singer could pack venues and sell out months in advance after being out of sight for the past seven years with no more than song snippets posted on his MySpace page.

Off his voluntary detour to self-discovery, Maxwell shocked everyone with the “Black Summer’s Night” tour and brought along budding star Jazmine Sullivan. Read the rest of this entry »

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